The artistic research project, initiated by Alexandra Reill in 2026, focuses on questions of divergence between [pre-]religious beliefs that have existed for millennia, “classical” theologies, and so-called secular contemporary models of thought.
installments
With Lukas in the more than lushly blooming Sonnwendviertel
Just a minimally small interpretative-documentary photo series from spring 2026 on a wealth of moments experienced together in seven months
skin flats
The images forming skin flats represent a quasi self-generated meditative line of self-viewing perspective, created through Subconscious Image Writing. Although the image montages are self-portraits, they ultimately see themselves as “empty” works, elaborated from an aspiration of the artist to let “non-individual”, “non-designed” works emerge.
Exquisite Corpse
OFFICIAL SELECTION
Video loop contribution to the exhibition Exquisite Corpse at the Millennium City Film Archives Center / NYC. Live audiovisual opening event 09/06/2025
Chronology of a Love or A Farewell in Less Than Monthly Repeats
A letter to and for you and to and for me
dated January 31, 2025, with additions from February
Stumbling Waters
In addition to the meta-theme of the transience of phenomena, the work Stumbling waters refers to manifestations of destruction, whether in nature or in a metaphorical reference to global social developments that transform a peaceful flow of life into turbulent upheavals … In progress
SP19-22-In the mirror cabinet
Two-hour video loop of self-portraits, shot within the spatial art installation in the form of a mirror cabinet, in the eyes of Alexandra Reill reflecting the effects of spotlight glamour and stage life on stage protagonists; created by Bernard et Gérard Taride and exhibited at the Château-Musée Grimaldi. In progress
SP19-22-monitoring
Video loop of photographic self-portraits, shot in an artistic spatial installation [*] at the Château-Musée Grimaldi, dedicated to the theme of monitoring and surveillance and capturing the moving image of exhibition visitors in stacked monitors. In progress