ATLANTA MOVIE AWARDS: BEST THREE MINUTE SEMI-FINALIST 2026
EXQUISITE CORPSE @MILLENIUM CITY FILM ARCHIVES CENTER / NYC: OFFICIAL SELECTION 2025
In her experimental short [loop], Alexandra Reill interprets aging body parts and thus addresses the imperfection of the human body. She refers to the irritations that aging can cause and, not least, to age discrimination.
Just a minimally small interpretative-documentary photo series from spring 2026 on wealth of moments experienced together in seven months
BERLIN INDIE AWARDS: SEMI-FINALIST 07/2026
CINE PARIS FILM FESTIVAL: WINNER BEST ARTIST’S FILM 06/2026
NEW ORLEANS INTERNATIONAL FILM AWARDS: SEMI-FINALIST 06/2026:
screening dates to be announced
FRAMES OF NEWYORK FILM FESTIVAL: SEMI-FINALIST 2026:
screening dates to be announced
PORTLAND MOVIEMAKERS AWARDS: SEMI-FINALIST SPRING EDITION 2026
POWER24 INTERNATIONAL FILM FESTIVAL: HONORABLE MENTION 2026
NEW YORK INDEPENDENT CINEMA AWARDS: OFFICIAL CONSIDERATION 2026
SWEDEN FILM AWARDS: FINALIST AUGUST 2025
STRANGE FLOWERS SPLASH or ONLY CATS HAVE NINE LIVES researches personal mechanisms of mystification existing as a result of ignorance or perfidious violence in society.
07/17–11/30/2026
ON SCREEN VIDEO ART FESTIVAL 2026 – OFFICIAL SELECTION
DOI ENTRY 2025
ARTECH 2025 – OFFICIAL SELECTION
In a transdisciplinary approach of artistic research, the paper and the media art piece examine questions of perception on the basis of the the experiental image-video installation skin flats that aims at evoking an immersive state of meditative perception in the recipient.
BERLIN SHORTS AWARD: SEMI-FINALIST 06 / 2026
ROTTERDAM INDEPENDENT FILM FESTIVAL: SEMI-FINALIST 06 / 2026
LOS ANGELES SHORT FILM AWARDS: OFFICIAL SELECTION 2026
NEW YORK FILM & CINEMATOGRAPHY AWARDS: OFFICIAL SELECTION 2026
AMSTERDAM MOVIE FEST: NOMINATION 2026
ATLANTA CINEMA AWARDS: NOMINATION 2026
CANNES ARTS FEST AWARD: NOMINATION 2026
Experimental live action arthouse
Audiovisual real-time enactment / Performative readings
on contemporary issues of the political sovereign following Brecht’s Saint Joan of the Stockyards
The images forming skin flats represent a quasi self-generated meditative line of self-viewing perspective, created through Subconscious Image Writing. Although the image montages are self-portraits, they ultimately see themselves as “empty” works, elaborated from an aspiration of the artist to let “non-individual”, “non-designed” works emerge.
A letter to and for you and to and for me
dated January 31, 2025, with additions from February
In addition to the meta-theme of the transience of phenomena, the work Stumbling waters refers to manifestations of destruction, whether in nature or in a metaphorical reference to global social developments that transform a peaceful flow of life into turbulent upheavals … In progress