VIA GLUCK 62 AIR. BEYOND THE IMAGE ART PRIZE 2026
SELECTION AS ONE OF THE TOP 10 PROJECT APPLICATIONS
Flourishing is an artistic research project initiated by Alexandra Reill in the spring of 2026. It focuses on examining recent developments in flourishing research.
[Theoretical and scientific] poetry. Text lines is the chronological development of short, written, and spoken [lyrical] expressions in the context of flourishing research.
[Theoretical and scientific] poetry. Texts focuses on the development of [artistic] texts in the framework of flourishing and creativity research [Theoretical and scientific] poetry. Texts is s a module of the artistic research project Flourishing.
The conceptual paper examines flourishing in light of positions from cognition theory, creativity and happiness research, and algorithmic agency.
In an age in which digital images increasingly mediate memory, self-understanding, social recognition, and everyday experience, the central question of this work is not how accurately an image represents a person, but what conditions enable a person to flourish within an image-saturated environment. The experimental video reflects current conditions.
The photographic and video series feature impressions of various cactus species. AIR Bormes. Cactuses is part of the artistic research project Flourishing.
AIR Bormes. Blossoms consists of photographic and [looping] microfilm series. AIR Bormes. Blossoms is part of the artistic research project Flourishing.
AIR Bormes. Bushes and Trees consists of a digital or print arrangement of individual photographs and [looping] microfilms, as well as photo and video series, each of which bears its own title. The series feature green flourishing and are part of the artistic research project Flourishing.
The photography A Glass of Water is part of the artistic research project Flourishing (2026–) investigating known and unknown options for creating a future in the here and now which hold potential to enable flourishing in the face of the diverse challenges of global life, which is characterized more by irritating fragmentation than by inventive responsibility for global abundance.
OTHERWORLDLY 3.0 FILM FESTIVAL
4–6 September 2026 / Saint Petersburg
skin flats part I: OFFICIAL SELECTION
The images forming skin flats represent a quasi self-generated meditative line of self-viewing perspective, created through Subconscious Image Writing. Although the image montages are self-portraits, they ultimately see themselves as “empty” works, elaborated from an aspiration of the artist to let “non-individual”, “non-designed” works emerge.
07/17–11/30/2026
ON SCREEN VIDEO ART FESTIVAL 2026 – OFFICIAL SELECTION
DOI ENTRY 2025
ARTECH 2025 – OFFICIAL SELECTION
In a transdisciplinary approach of artistic research, the paper and the art media piece examine questions of perception on the basis of the the experiental image-video installation skin flats that aims at evoking an immersive state of meditative perception in the recipient.
COLLECTION ENTRY: THE FILM AND VIDEO POETRY SOCIETY / 2026
BROOKLYN INTERNATIONAL SHORT AWARDS: WINNER 08 / 2026
PARIS INTERNATIONAL SHORT FESTIVAL: SEMI-FINALIST 08 / 2026
STOCKHOLM SHORT FESTIVAL: SEMI-FINALIST 08 / 2026
MADRID ARTHOUSE FILM FESTIVAL: SEMI-FINALIST 08 / 2026
BERLIN SHORTS AWARD: SEMI-FINALIST 06 / 2026
ROTTERDAM INDEPENDENT FILM FESTIVAL: SEMI-FINALIST 06 / 2026
LOS ANGELES SHORT FILM AWARDS: OFFICIAL SELECTION 2026
NEW YORK FILM & CINEMATOGRAPHY AWARDS: OFFICIAL SELECTION 2026
AMSTERDAM MOVIE FEST: NOMINATION 2026
ATLANTA CINEMA AWARDS: NOMINATION 2026
CANNES ARTS FEST AWARD: NOMINATION 2026
Experimental live action arthouse
Audiovisual real-time enactment / Performative readings
on contemporary issues of the political sovereign following Brecht’s Saint Joan of the Stockyards
WASHINGTON FILM AWARDS: SEMI-FINALIST SUMMER 2026
BERLIN INDIE AWARDS: SEMI-FINALIST 07/2026
CINE PARIS FILM FESTIVAL: WINNER BEST ARTIST’S FILM 06/2026
NEW ORLEANS INTERNATIONAL FILM AWARDS: SEMI-FINALIST 06/2026
FRAMES OF NEWYORK FILM FESTIVAL: SEMI-FINALIST 2026
PORTLAND MOVIEMAKERS AWARDS: SEMI-FINALIST SPRING EDITION 2026
POWER24 INTERNATIONAL FILM FESTIVAL: HONORABLE MENTION 2026
NEW YORK INDEPENDENT CINEMA AWARDS: OFFICIAL CONSIDERATION 2026
SWEDEN FILM AWARDS: FINALIST AUGUST 2025
STRANGE FLOWERS SPLASH or ONLY CATS HAVE NINE LIVES researches personal mechanisms of mystification existing as a result of ignorance or perfidious violence in society.
ATLANTA MOVIE AWARDS: BEST THREE MINUTE AWARD: WINNER 07 / 2026
EXQUISITE CORPSE @MILLENIUM CITY FILM ARCHIVES CENTER / NYC: OFFICIAL SELECTION 2025
Even if you reach a high age of 92 years, the time will come when you are not recalled anymore.
In her silent experimental super-short [loop], Alexandra Reill interprets aging body parts and thus addresses the imperfection of the human body. She refers to the irritations that aging and imaginations on death can cause and, not least, to age discrimination.
Two-hour video loop of self-portraits, shot within the spatial art installation in the form of a mirror cabinet, in the eyes of Alexandra Reill reflecting the effects of spotlight glamour and stage life on stage protagonists; created by Bernard et Gérard Taride and exhibited at the Château-Musée Grimaldi. In progress
Documentation of an attempt of infrastructural rehabilitation, organized in a claim to self-optimization … In progress
A letter to and for you and to and for me
dated January 31, 2025, with additions from February
Alexandra Reill: Participation in the polymedial Dada performance with live online stream by starsky in the framework of niemand* – on the occasion of the election to the National Council in an Austria 2024
Under the meta-theme of the transience of phenomena, the photo series Stumbling Waters refers to manifestations of destruction, whether in nature or in a metaphorical reference to global social developments that transform a peaceful flow of life into turbulent upheavals; which have consequences, leave traces and thus change a “world.”
The first English-language monograph on [… the writer and artist …,] with unpublished texts and diary entries by Ceija Stojka.(**) | Editing of the original German version of the essay by Simona Anozie / Co-translation from German to English of the text and the poems by Ceija Stojka published in the volume.