BERLIN – VIENNA – ISTANBUL. A media lab conducting cliché research

For the Winter Academy 2007/2008 of Theater an der Parkaue in Berlin in cooperation with Dschungel Wien and Garajistanbul in Istanbul, kanonmedia proposed the staging of a media lab for young people forming the framework for a culture-trans-lating cliché research on the three metropolises.

The Last Supper II

Analogue-digital performance in the framework of the Performance Days Istanbul 2007

attempt of a disposition – netznetz 2004-2006

attempt of a disposition – netznetz 2004-2006 is an online installation based on a documentative disposition of email correspondence in chronological order and structured by subthemes of a long and complicated process to develop a public-private funding system to distribute means to media artists and cultural workers active in the media field.

Above the Skies

… the pervasion of feelings of mundane phenomenae, of mundane life, a good bye from beloved ones and an hommage for love – the film Above the Skies is a journey from Earth to Heaven and back.

space in time

Dramaturgical-technological concept for a real time interactive video installation

Walking in Footage

… people running – walking – sitting – in a world of abundance of information, confronted with media overflow, with mistakes, disturbances caused by overload. People looking for slowliness to be able to re-concentrate on inner perspectives …

Die Frage nach der Definition Virtuellen Öffentlichen Raums EN

Birgt die Frage nach der Definition von Öffentlichem Raum bereits die Notwendigkeit, in einer grundlegenden Unterteilung des Begriffs in solche Themenfelder wie „kommunale Nutzung“, „Nutzung durch eine Öffentlichkeit“, „Verfügbarkeit von Flächen, die von der öffentlichen Hand verwaltet oder besessen werden“ auf verschiedene Kontexte der Bedeutung von Öffentlichkeit einzugehen, so stellt sich der Versuch der Definition des Phänomens des Virtuellen Öffentlichen Raums um nichts leichter dar.

The Last Supper I

Analogue-digital performance with contributions of guests of the Artists-in-Residency Myndos International Art Workshops II: The Seventh of the Seven Wonders