Discursive on- and offline installment on roles and positions of artists in contemporary societies
publications
Home Sweet Home. Documentary film and text EN
Coming from a Vienna mainstream society of active committers of crime and NS-opportunists and being a child of the first post-war generation, Alexandra Reill tries to reflect her identity – Home Sweet Home is the [auto]biographic tracking of fascist history inherited by Vienna so-called mainstream society after World War II. Documentary film and text of the same title
Kunst im Trend? Artists’ Voices. Study
Evaluation of the results of the international survey Art Following the Trend? Artists’ Voices. on self-understanding and -definitions of artists | cultural workers looking at individual roles and functions in society as well as on individual earning capacities; and a research on contemporary developments of Creative Industries culture policies on EC- and national levels
Artists’ Talks
Publication featuring interviews with artists on their individual understanding of their roles and positions and their approaches to art production in contemporary societies in form of a text collage
BERLIN – VIENNA – ISTANBUL. A media lab conducting cliché research
For the Winter Academy 2007/2008 of Theater an der Parkaue in Berlin in cooperation with Dschungel Wien and Garajistanbul in Istanbul, kanonmedia proposed the staging of a media lab for young people forming the framework for a culture-trans-lating cliché research on the three metropolises.
attempt of a disposition – netznetz 2004-2006
attempt of a disposition – netznetz 2004-2006 is an online installation based on a documentative disposition of email correspondence in chronological order and structured by subthemes of a long and complicated process to develop a public-private funding system to distribute means to media artists and cultural workers active in the media field.
Die Frage nach der Definition Virtuellen Öffentlichen Raums EN
Birgt die Frage nach der Definition von Öffentlichem Raum bereits die Notwendigkeit, in einer grundlegenden Unterteilung des Begriffs in solche Themenfelder wie „kommunale Nutzung“, „Nutzung durch eine Öffentlichkeit“, „Verfügbarkeit von Flächen, die von der öffentlichen Hand verwaltet oder besessen werden“ auf verschiedene Kontexte der Bedeutung von Öffentlichkeit einzugehen, so stellt sich der Versuch der Definition des Phänomens des Virtuellen Öffentlichen Raums um nichts leichter dar.