ATLANTA MOVIE AWARDS: BEST THREE MINUTE SEMI-FINALIST 2026
EXQUISITE CORPSE @MILLENIUM CITY FILM ARCHIVES CENTER / NYC: OFFICIAL SELECTION 2025
In her experimental short [loop], Alexandra Reill interprets aging body parts and thus addresses the imperfection of the human body. She refers to the irritations that aging can cause and, not least, to age discrimination.
The images forming skin flats represent a quasi self-generated meditative line of self-viewing perspective, created through Subconscious Image Writing. Although the image montages are self-portraits, they ultimately see themselves as “empty” works, elaborated from an aspiration of the artist to let “non-individual”, “non-designed” works emerge.
In addition to the meta-theme of the transience of phenomena, the work Stumbling waters refers to manifestations of destruction, whether in nature or in a metaphorical reference to global social developments that transform a peaceful flow of life into turbulent upheavals … In progress
Two-hour video loop of self-portraits, shot within the spatial art installation in the form of a mirror cabinet, in the eyes of Alexandra Reill reflecting the effects of spotlight glamour and stage life on stage protagonists; created by Bernard et Gérard Taride and exhibited at the Château-Musée Grimaldi. In progress
Video loop of photographic self-portraits, shot in an artistic spatial installation [*] at the Château-Musée Grimaldi, dedicated to the theme of monitoring and surveillance and capturing the moving image of exhibition visitors in stacked monitors. In progress
Video installation with eight plus two flat screens showing people in / at a sea pool and on a bridge in their movements and sensibilities. The series AIR Opatija – The Bridge and The Pool is an adaptation of the meta-theme Tourists in Time, which has been accompanying Alexandra Reill since 2006.
Stop trick series of looping movies scripted in Flash on conditioned coding of relationships