The title of the online exhibition refers as much to the capability of new media forming a line – a connection – between different means of production, forms of expression, ends of communication and their interactive features as to the meaning of the line itself – as a graphic element, a line, a row, a repetition, a series, an underlining, an enclosing or an opening element of form …
featuring
amorphoscapes by stanza
ICOn_Portraits by carlo zanni [a.k.a. beta]
merry-go-round by gudrun kemsa
and thanking for all other contributions
AfterSherrieLevine.com by michael mandiberg
Berlin by gudrun kemsa
sPACE, Navigable Music by lab[au]
NewZoid by daniel young
The 12hr-ISBN-JPEG Project by brad brace
Ethnic Software by yevgeniy fiks
Heart Time / Time Heat by valéry grancher
Spawn_Kill by fakeshop/(jeff gompertz)
pecker by computer fine arts
vib~ratio~n by reiner strasser / octavia davis / bill marsh
never wake up by agricola de cologne
project hope by reiner strasser / annie abrahams / alan sondheim
Identity of Colour by agricola de cologne
Hans – a true story by agricola de cologne
xena by computer fine arts
Museum of the Mind by doctor hugo
cities by judson
symbiosis by eric dies
Why did you let them change you ? by franklin joyce & the teens
sitting by eunji cho
line by melinda rackham
hollyland by computer fine arts
‘code scares me’ by jessica loseby
‘wolf’ by jessica loseby
interactive poem / etkilesimli siir by genco gulan
WebArt I by fransje jepkes
opening day by red ed
Digital Totem Poles by rick doble
concept | call for participation | programming |
coordination | online design | public relations alexandra reill
production kanonmedia | vienna 2002
Leading new media artists contributed to the online exhibition organized by kanonmedia and curated by Alexandra Reill. The quality of the pieces submitted as well as the different approaches to production and content made the featuring of three works nearly impossible.
Therefore kanonmedia would like to emphasize that the chosen chronology of presentation was not meant to be a ranking. The majority of submissions show prior quality / are internationally recognized pieces / could have been
listed as no 01.
The way of presentation decided for was based on the following aspects of programming:
– Is there a relation of the piece to the theme of <<< new media line >>> & what relation would this be?
– Does the interpretation of ‘line’ as an interactive or other new media connection / relation / communication serve the content transported or does interactivity apply for its own sake ?
– How contemporary / time-relevant / innovative is the content transmitted?
– What kind of technical complexity does the piece implicate ?
– How elaborate is the project ?
– How refined is the visual / aesthetic quality of the piece?
– How profiled is the project as a whole, considering all aspects described
Our thxs go to
kanonmedia would like to thank all participating artists for their contributions / together forming – as we think – a highly interesting spectrum of innovative / time-relevant new media work.
<<< new media line >>> listed | featured in / by
— Albena Lutzkanova-Vassileva: The Testimonies of Russian and American Postmodern Poetry: Reference, Trauma, and History, Bloomsbury Publishing USA, 2014
— Martin Kevorkian: Color Monitors. The Black Face of Technology in America, Cornell University Press, Ithaca / London 2006, p. 198
— hatena / jp / 09
— compwisdom – new media hit page / au / 08
— mydoox / d / 08
— brown university / code.surface || code.depth – citation / us / 06
— ezine / int / 02
— netex / int / 02
— xs4all / nl / 02
— arts council of northern ireland / lisburn / uk / 02
— soundhouse / university of denver / denver / us / 02
— university of twente / twente / nl / 02
— asci ebulletin / nyc / us / 02
— boa / munich / d / 02
— world wide arts resources / columbus, ohio / us / 02
— university of denver / school of communication / denver / us / 02
— soundhouse / denver / us / 02
— ny arts magazine / nyc / us / 02
— mur / graz / a / 02
— widerstand@mund / vie / a / 02
— silverserver pipermail / vie / a / 02
— riga centre for new media culture / riga / lv / 02
— ljubljana digital media lab / lju / slo / 02
— amsterdam.nettime / ams / nl / 02
— virtual artists / adelaide / au / 02
— artzine / athens / g / 02
— exibart / rome / i / 02
— neural / bari / i / 02
— content-wire / lon / uk / 02
— rhizome digest / nyc / us / 02
— rhizome artbase / nyc / us / 02
— chamber web / jp / 02
— random / rome / i / 02
— kunst & kult / munich / d / 02
— fonds vor de letteren / nl / 02
— noema art news / i / 02
— netex / d / 02
— saw video media art centre / ottawa, on / can / 02
— lab[au] / brussels / bel / 02