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eop:
emergence of projects eop
die netzwerkarbeit im rahmen des eop-prozesses
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zitat von und nach helga koecher, 2003 |
eop as defined by helga koecher, the founder of eop, the project understands itself - on the one hand - as an art project of second order, following joseph beuys' s social sculpture, and on the other hand, as a lab situation serving the testing of function and dysfunction of interventions, as understood in the field of cultural studies. according to the founder, on the occasion of specific network projects experiences can be reflected as decontextualized learnings - because of the different environments (of networking elements, a.r.) - and can offer approaches for the development of network theories. a transdisciplinary constellation of groups is meant to encounter what is understood as the major behindering of networking: the forming of isolated group identities and the development of corresponding enemy projections (as specified by homan). nevertheless, for the formation of horizontal structures, which would be necessary to make a multitude (in the sense of hardt/negri) efficient, helga koecher encounters a lack of natural understanding of philosophical premisses. to her, postmodern positions appear rather splitting than enhancing networking processes. one of the reasons for this phenomenon she sees in a power game played by the 'knowing ones' with the 'not knowing ones'. for the organizer, an approach to develop efficient networking processes seems to lye in the formation of flexible structures allowing a balance between contra-positions.* * citation helga koecher, 2003 |
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kanonmedia,
non - profit org for new media, 12/24, richtergasse, 1070 vienna, t: ++43
- [0] - 6991 - 820 70 03 |
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