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The
Hidden War: Re-imagining the Center
an online exhibition
produced
by
University
of Philippines / College of Fine Arts
in
cooperation with kanonmedia.com / manila-vienna 2003
curator
/ coordinator - UP / College of Fine Arts
fatima lasay
curator / coordinator for kanonmedia.com
alexandra reill
The
Hidden War:
Re - imagining the Center
is
an exhibition project on the theme of
mediated and commodified violence
showing experimental new media pieces
created by students of digital art of the
College of Fine Arts / University of the Philippines:
niko
loren c. dela cruz
john
paul verdera antido
gretchen
flores & carmel lim
gerson
r. flores
michael
angelo g. lampayan
deodato
m. pairez & anna cabardo
deodato
m. pairez
ian
a. quirante
patrick
anthony d. caballa
jan
virnice t. sering
jong
pairez & anna cabardo
gandelyn
yu
ana
shariah salcedo
gerard
d. baja
amos
manlangit
roland
tristan a. beronilla
edrick
daniel
ronald remolacio
dylan
jon m. ferrer
in
a fact - finding and medical mission conducted in sulu,
south of the philippines, KARAPATAN exposed
serious
human rights violations committed by military forces in
the arroyo administration's all - out war campaign against
terrorism.iIn the public spectacle of a government's effort
to reclaim peace and order in sulu, there is
the hidden
war waged
against thousands of families in the province
- the state - sponsored murder, torture, and forced
disappearances of innocent people.
Naturally
the common people don't want war...But, after all,
it is the leaders of a country who determine policy, and it is
always a simple matter to drag the people along, whether it
is a democracy or a fascist dictatorship, or parliament or a
communist dictatorship. All you have to do is tell them they
are being attacked, and denounce the pacifists for lack of
patriotism and exposing the country to danger. It works the
same in every country.**
**
Hermann Goering, (1893-1946) Nazi Reichsmarschall
at the Nuremberg Trials, 4/18/46, From Nuremberg Diary
( by Gustave Gilbert)
The
Hidden War: Re-imagining the Center
is
a cultural criticism of the spectacle in sulu, not only within
the context of militarization in sulu, but in a broader effort to
recognize and differentiate the mediatization and actualization
of violence. issues surrounding the nature and realities of
motivations for conflict and violence are explored: national
and cultural identity, sexualities and gender construction,
catholicism, us political, economic and military intervention,
ethnic and class hierarchies, and globalization. |
art following the trend? artists' voices.
a disposition - netznetz 2004-2006
walking in footage
space in time
above the skies
thara
white chairs
k.i.o.
lab
deserts & backbones
mediencamp
karlsplatz
the
hidden war
save / safe
eop
tv series
NYC0902
tcof20fus.exes
anti-smokers-sp01
new media line
bruckners club
fushion fashion
S.P.I.N.Y.
coffeetable
no 06
virtual
mine
ompos exti
papierene
kinder
kanon
zeitgenoessischer gg
the
artists exhibiting in
The
Hidden War: Re - imagining
the Center articulate
their observation
and analysis of mediated and commodified
violence. the articulation comes in many forms: painting, mixed media
work, installation, performance, sound and video.
in the process, the project asks for a
re - imagination,
a reclamation,
of one's center as it has been displaced
in an age of spin, and likewise asks
whether art, as we have cultivated it today, has merely been cultivated
as fine taste for oblivion.
For
cognition, the gap between us and others
was the same as the time between our own
present and past suffering; an insurmountable
barrier. But perennial domination over nature,
medical and non-medical techniques, are made
possible only by the process of oblivion.
The loss of memory is a transcendental
condition for science. All objectification is
a forgetting.*
*
Theodore Adorno, Le prix du progress
the
visual vocabulary of these realities in
mass media has enabled the consuming
public to both enjoy and become oblivious
in the spectacle - such is the price and
pleasure of progress. |
niko
loren c. dela cruz

john paul verdera antido

gretchen flores &
carmel lim

gerson r.
flores |